| Artist | The dB's |
|---|---|
| Cover | Stands_for_decibels.jpg |
| Released | January 15, 1981 |
| Recorded | 1980 |
| Studio | Blue Rock Studio, SoHo, Manhattan |
| Genre | |
| Length | 34:36 |
| Label | Albion |
| Producer |
|
| Next year | 1981 |
Stands for Decibels is the debut studio album by American power pop band the dB's, released January 15, 1981 by Albion Records.[1] The album was commercially unsuccessful but critically acclaimed.[2]
At the time of its release, the dB's consisted of singer/guitarists Chris Stamey and Peter Holsapple, bassist Gene Holder, and drummer Will Rigby. The songwriting was evenly divided between Stamey and Holsapple, although Stamey became known for writing the stranger, more avant-garde numbers ("She's Not Worried", "Espionage"), while Holsapple wrote the more accessible, poppier songs ("Black and White", "Bad Reputation").[3] Both Stamey and Holsapple played keyboards occasionally as well. Holder and Rigby did not receive any songwriting credits (other than a group credit for "Dynamite").
The album, which was recorded at Blue Rock Studio in SoHo, Manhattan,[4] was dedicated to George Scott III. "Black and White" was released as the band's first single. I.R.S. Records reissued the album on CD in 1989.[5]
Reception
Robert Palmer of The New York Times hailed Stands for Decibels as one of the year's ten best albums,[6] observing in an earlier review that Holsapple and Stamey's songs "affectionately recall specific influences, from the early Beatles to Big Star, but remain stubbornly individual. Mr. Holsapple tends to wear his heart on his sleeve; he writes the group's most lyrical melodies, but he pens its toughest lyrics, too. Mr. Stamey is more oblique; his songs are compendiums of astringent harmonies, out of kilter rhythms, unexpected breaks and modulations, and pure pop romanticism. Both writers are well-served by an urgently kinetic rhythm section, Gene Holder on bass and Will Rigby on drums."[7] He'd later praise the dB's for making "the most impressive pop-rock debut since the emergence of Elvis Costello five years ago. They are breathing new life into rock by reinventing the tension between structural limitations and experimentation that made the music of the mid-'60s so special."[6]
In The Village Voice's year-end Pazz & Jop poll, Stands for Decibels was voted by critics as the 26th best album of 1981.[8]
In a retrospective review for AllMusic, Chris Woodstra stated: "On their debut, the dB's combined a reverence for British pop and arty, post-punk leanings that alternate between minimalism and a love of quirky embellishment, odd sounds, and unexpected twists; Stands for Decibels is clearly a collegiate pop experiment, but rarely is experimentation so enjoyable and irresistibly catchy."[9] He concluded that the album "stands not only as a landmark power pop album, but also as a prototype for much of the Southern jangle that would follow."[9] Stands for Decibels was ranked at number 76 on Pitchfork's list of the 100 best albums of the 1980s.[10]
Track listing
Side one
- "Black and White" (Peter Holsapple) – 3:09
- "Dynamite" (Gene Holder, Holsapple, Will Rigby, Chris Stamey) – 2:35
- "She's Not Worried" (Stamey) – 3:04
- "The Fight" (Holsapple) – 2:54
- "Espionage" (Stamey) – 2:39
- "Tearjerkin'" (Stamey) – 3:56
Side two
- "Cycles per Second" (Stamey) – 3:06
- "Bad Reputation" (Holsapple) – 3:11
- "Big Brown Eyes" (Holsapple) – 1:58
- "I'm in Love" (Stamey) – 3:29
- "Moving in Your Sleep" (Holsapple) – 4:35
Some later CD versions (including the 1992 compilation dB's First/Repercussion) add two bonus tracks: "Baby Talk" (writer: Stamey, length: 1:50) as track 7, and "Judy" (writer: Holsapple, length: 2:48) as track 13.[11][12]
Personnel
Credits are adapted from the 1989 reissue liner notes.[13]
The dB's
- Gene Holder – bass guitar; cello on "Tearjerkin'" and "Moving in Your Sleep", lead guitar on "Moving in Your Sleep"
- Peter Holsapple – guitar, vocals, organ, piano
- Will Rigby – drums, percussion; backing vocals on "Moving in Your Sleep"
- Chris Stamey – guitar, vocals; backwards piano on "She's Not Worried", harmonica on "I'm in Love", bass on "Moving in Your Sleep"
Additional musician
- Janet Wygal – handclaps on "Black and White"
Technical
- Alan Betrock – production
- Stephanie Chernikowski – photography
- The dB's – production
- Victoria DeVeraux – painting
- Malcolm Garrett – typography
References
- ^ "Biography". thedbs.com. p. 4. Retrieved November 30, 2020.
- ^ Dahlen, Chris (January 21, 2002). "The dB's: Stands for Decibels/Repercussion". Pitchfork. Retrieved August 10, 2018.
- ^ Schulps, Dave; Robbins, Ira; Schinder, Scott. "dB's". Trouser Press. Retrieved November 30, 2020.
- ^ Breznikar, Klemen (2022-11-01). "Peter Holsapple | The dB's | Interview". It's Psychedelic Baby Magazine. Retrieved 2024-07-01.
- ^ "Stands for deciBels". thedbs.com. Retrieved December 3, 2020.
- ^ Palmer, Robert (December 30, 1981). "THE POP LIFE". The New York Times. Retrieved 4 June 2025.
- ^ Palmer, Robert (May 10, 1981). "KEEPING ALIVE THE 'POP BAND' ESTHETIC". The New York Times. Retrieved 4 June 2025.
- ^ "The 1981 Pazz & Jop Critics Poll". The Village Voice. February 1, 1982. Retrieved November 30, 2020.
- ^ Woodstra, Chris. "Stands for Decibels – The dB's". AllMusic. Retrieved February 5, 2018.
- ^ "The Top 100 Albums of the 1980s". Pitchfork. November 21, 2002. p. 3. Retrieved November 30, 2020.
- ^ Stands for Decibels. Albion Records. 1987. ALCD 9.00009.
- ^ dB's First/Repercussion. Line Records. 1992. LICD 9.21191 S.
- ^ Stands for Decibels (liner notes). IRS Records. 1989.
External links
- Discography at official website